~ David A. Leffel ... When - a long time ago .. ~
So today the perfect invaded yesterday ...
Think about the future do not want ...
What is the future, when the bend is set Her Majesty life ...
Unfolds on someone unknown, scripted ...
...
once upon a time
my heart was
Golden Cockerel,
It was a slice of lemon
and chocolate chips.
wrapped in a thin
foil
it make sounds
bell
but now it
was heavy,
and calls on holidays
like a big brass bell
often late,
sometimes out of place.
barely fits in my body.
reacts to heat and cold.
and once it was easy and transparent
like a bird.
pink and caramel ...
Karine Arutiunova
I'd rather you picture very "tasty" show, DC?

Apricots with Hantz Vase, (1st stage) 1977

David Leffel - Self-portrait
Artist David A. Leffel (David A. Leffel) was born in New York and studied at the School of Design Parsons School of Design, Fordham University (Fordham University) and the Art Students League in the Department of Humanities. David A. Leffel paints in the classical tradition of early Dutch and Flemish such as Rembrandt and Chardin (Rembrandt and Chardin). His work has been shown at numerous prestigious exhibitions, including Artist of America, National Academy of Western Art, which were obtained three gold and one silver medal, followed by First American Art Exhibit in Beijing, China and the National Academy of Design. His works are in many museum and private collections. He writes books on art, and his paintings are included in many publications and books. "An Artist Teaches" book by David A. Leffelya, released in January 2004.

Apricots with Hantz Vase, (2nd stage) 1977
"The artist most bliznkie contacts with their works appear in those moments when the brush touches the surface of the palette, paper or canvas. The sensitivity of the artist passed from mind to hand, from the hand to the fingers, the fingers to the wrist. Live reaction brush and its response are paramount importance in creating works of art. They tell the artist how to apply paint: fresh inconsiderate attacks or caress her with great caution. "
David A. Leffel

Apricots with Hantz Vase, (3rd stage) 1977

Apricot and Dragonfly, 1991
Crab Apples and Medieval Vase, 1997

Farmhouse w / Chickens - Pietrasanta, 1999

Copper Kettle w / Chinese Vase, 1999

Fairie Roses and Fruit, 2001

Shadows and Lights, 2002

T'ang Horse and Rider w / Flower, 1998

Chinese Lanterns and Eggs, 2002

Red Onion, Eggs & Paint Tubes - 9 x 14 inches

Clearing Storm, 1988

Silk Brocade w / Onions and Rose, 1999

T'ang Horse and Chinese Lanterns, 1996

Rembrandt, Pushman and Court Lady, 2000


Flo Blue ? Apricots ? Dried Flowers, 1998
So today the perfect invaded yesterday ...
Think about the future do not want ...
What is the future, when the bend is set Her Majesty life ...
Unfolds on someone unknown, scripted ...
...
once upon a time
my heart was
Golden Cockerel,
It was a slice of lemon
and chocolate chips.
wrapped in a thin
foil
it make sounds
bell
but now it
was heavy,
and calls on holidays
like a big brass bell
often late,
sometimes out of place.
barely fits in my body.
reacts to heat and cold.
and once it was easy and transparent
like a bird.
pink and caramel ...
Karine Arutiunova
I'd rather you picture very "tasty" show, DC?

Apricots with Hantz Vase, (1st stage) 1977

David Leffel - Self-portrait
Artist David A. Leffel (David A. Leffel) was born in New York and studied at the School of Design Parsons School of Design, Fordham University (Fordham University) and the Art Students League in the Department of Humanities. David A. Leffel paints in the classical tradition of early Dutch and Flemish such as Rembrandt and Chardin (Rembrandt and Chardin). His work has been shown at numerous prestigious exhibitions, including Artist of America, National Academy of Western Art, which were obtained three gold and one silver medal, followed by First American Art Exhibit in Beijing, China and the National Academy of Design. His works are in many museum and private collections. He writes books on art, and his paintings are included in many publications and books. "An Artist Teaches" book by David A. Leffelya, released in January 2004.

Apricots with Hantz Vase, (2nd stage) 1977
"The artist most bliznkie contacts with their works appear in those moments when the brush touches the surface of the palette, paper or canvas. The sensitivity of the artist passed from mind to hand, from the hand to the fingers, the fingers to the wrist. Live reaction brush and its response are paramount importance in creating works of art. They tell the artist how to apply paint: fresh inconsiderate attacks or caress her with great caution. "
David A. Leffel

Apricots with Hantz Vase, (3rd stage) 1977

Apricot and Dragonfly, 1991
Crab Apples and Medieval Vase, 1997

Farmhouse w / Chickens - Pietrasanta, 1999

Copper Kettle w / Chinese Vase, 1999

Fairie Roses and Fruit, 2001

Shadows and Lights, 2002

T'ang Horse and Rider w / Flower, 1998

Chinese Lanterns and Eggs, 2002

Red Onion, Eggs & Paint Tubes - 9 x 14 inches

Clearing Storm, 1988

Silk Brocade w / Onions and Rose, 1999

T'ang Horse and Chinese Lanterns, 1996

Rembrandt, Pushman and Court Lady, 2000

Flo Blue ? Apricots ? Dried Flowers, 1998
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